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DH Lawrence more than any other author in the English language, or any language for that matter, stands for the power of the body and the bodies experience over the power of reason.

This was the main theme of his earlier DH Lawrence adaptations and this is the main theme of his latest.

The nudity is well done and adds to the allure of this BBC classic; no question about that.

The greatest scene in the entire 4 hour miniseries is not the nudity, however, but, the vision Joely has before she ever ventures out to that hut in the woods.

The books, though banned for many years in England, were nevertheless quite popular and became an instrument of social change.

Many movies that attempt to depict sexual intimacy somehow fail to capture the atmosphere or feeling of the moment quite as well as director Ken Russell did in this movie.

Both of these adaptations are known for being restrained and fairly true to their sources even though Russell did add some scenes in both which were not in the original books; his additions, however, were tasteful and even added clarity to the material.

He then followed that up twenties years later with THE RAINBOW (starring Amanda Donohoe, and Sammie Davis).

But this one is by far the most sensual of the three and that is largely due to the fact that Joely Richardson seems to be the very embodiment of sensual awakening; the actress seems as willing as her character to simply follow the dictates of the body regardless of social norms.

Its always a big deal when a high profile actress (especially one with the lineage of Joely Richardson) sheds her clothes on screen, but to do so on British televison for all to see takes more than a little boldness.

Russell is nothing if not unconventional and freethinking.

Of course most of us in the states know Ken Russell as the director of a handful of cult classics such as TOMMY (1975), ALTERED STATES (1979),and, GOTHIC (1986); all of which feature lurid dream sequences and, some would say, gratuitously lewd situations.

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